The musicians in the ensemble come from the CNSMD in Lyon, the ESMUC in Barcelona, the Conservatoire in The Hague, the HEM in Geneva and the ESMAE in Porto.
The passions that drive the team are evident: the emotion of maximum proximity to the sources; the constant questioning and experimentalism; the admiration of the harmony of the spheres represented by Renaissance music; the enthusiasm for the emotional metamorphoses of early Baroque music; and the ambition to discover Portuguese repertoires that are little known to musicians and the general public.
| direction cornetts, recorders, bagpipes | Tiago Simas Freire |
| soprano | Marie Remandet | cornetts, recorders | Liselotte Emery |
| soprano | Camille Joutard | dulcians, recorders | José R. Gomes |
| soprano | Manuela Lopes | dulcians, recorders | Anaïs Ramage |
| mezzo | Axelle Verner | dulcians, recorders | Benny Aghassi |
| mezzo | Camille Fritsch | dulcians, recorders | Pedro Castro |
| alto | Bruno le Levreur | recorders | P. Sousa Silva |
| alto | Sylvain Manet | recorders | C. S. Leonardo |
| tenor | Almeno Gonçalves | viol | Ondine Lacorne |
| tenor | Frederico Projecto | viol | Filipa Meneses |
| tenor | Davy Cornillot | violone | Etienne Floutier |
| bariton | Carlos Meireles | Iberian harp | Sara Águeda |
| bariton | Jérôme Casalonga | baroque guitar | Ulrik Larson |
| bariton | J.-Et.Langianni | theorbo, b. guitar | Ricardo L. Pedro |
| bass | David Witczak | organ, harpsichord | Kazuya Gunji |
| bass | Eric Chopin | organ, harpsichord | A. De Pasquale |
| bass | Luis Neiva | percussions | Rui Silva |
| scientific committee Mundos e Fundos – University of Coimbra | Paulo Estudante José Abreu Hugo Sanches |
| choreographer and stage director | Catarina Costa e Silva |
| sound engineer | Camille Frachet |
